Sam Raimi is considered a master of horror, but he’s done relatively little to contribute to that title in the past decade. He’s been busy with the Spider-man trilogy and that Oz movie, but he did return to his roots in 2009’s Drag Me to Hell. A odd mix of both modern and classic Raimi, this film stands as a unique and unusual specimen that demands to be examined.
After denying an old gypsy woman an extension on her mortgage, Christine finds herself cursed to have her soul taken to Hell after 3 days. Now in a desperate race against time, Christine must overcome the supernatural forces that are playing with her before their final deed, all the while fighting to keep the things she values most in life, being her job and her boyfriend.
Sam Raimi is most well known for the Evil Dead trilogy, where he mixed over-the-top horror with campy comedy to varying degrees and results. Now the one to really examine in contrast to this film is The Evil Dead, which managed to be over-the-top while still being creepy and a little scary. Drag Me to Hell tries to hit this same balance and while it does to an extent achieve it, there’s just something off about it. As I was watching it I tried to figure out what wasn’t working for me, and I think it’s that Drag Me to Hell is lacking charm. It doesn’t have that kind of charm that the Evil Dead trilogy has or that his other works have. Even Spider-man has a charm to the first two films, but this one, while it has a little, is just missing that. It seems too self-aware that it’s campy and silly, almost like it just got done watching the Evil Dead films. That may just be speculation on my part and not matter to anyone else, but I thought I’d try to explain why this film didn’t work particularly well for me.
Alright enough of that flitting around, lets get to the actual meat and maggots of this movie. Sam Raimi has for all intents and purposes created one of the most unique horror movies of the 2000s. His blend of horror, comedy and even just good writing was sorely lacking last decade and even nowadays. He somehow manages to take cliches that we’ve seen and present them flat-out and then shortly thereafter show something you’ve never seen before. It’s an awkward blend that will turn some people off, but will excite most horror fans.
The acting is fine in this movie, not anything to write home about, but it’s a step up from the wooden performances of many a horror production. The score is some weird blend of horror and the soundtrack to Spider-man, but it’s ultimately quite good. The effects are really good… when they’re practical. The CGI in this movie is godawful, even for it’s time. It’s probably a good thing that this is such a cheesy movie, or those scenes would be incredibly distracting.
Drag Me to Hell doesn’t strike me as mandatory watching in any way, or something even worth buying. However, it is definitely a unique watch and will serve as quite refreshing for those weighed down by the found-footage dredge. If there’s one thing I can say about Drag Me to Hell it’s that it’s fun and really that’s all that matters. It’s a reassurance that Raimi can still do horror, granting that he’s given a low enough budget. Also to anyone interested in lighting, this serves as a great pallet of very basic, but effective lighting techniques. Drag Me to Hell is available to buy/rent from iTunes, Amazon Instant, and Google Play.
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