Dredd is the 2013 live action comic book adaptation of the long-time published “Judge Dredd” stories. “Judge Dredd” was also adapted into a Stallone-starring 90s cheesefest whose reputation is likely a big reason for this films low gross. Dredd is considered a box office bomb, but its considerable video sales leads one to take a second look at this movie. Can it really be passed off as a forgettable and shitty action flick like it’s predecessor? No, in actuality Dredd is a fairly clever and fun movie that manages to walk the line between gritty and self-mocking rather well.
In the post-apocalyptic future, humanity has been forced to create a mega city in order to survive. This city is riddled with crime, poverty and all around chaos. The only thing that stands between the citizens and complete anarchy are The Judges, the police force for this city. With their handy gadget equipped guns they both catch and punish criminals at their discretion. Enter Dredd, a long time veteran of the force who is required by his superior to field-test a rookie with unique psychic powers. On their day out, they respond to a triple homicide, which was caused by mob-boss Ma-Ma and her crew. In order to arrest Ma-Ma and stop her drug-trafficking, Dredd and the rookie fight their way to the top of the massive living block, facing a myriad of obstacles along the way. Standard action fare indeed, but what makes Dredd unique is the world it takes place in, the characters involved and satirical manner in which it point’s out its own flaws.
The world of Dredd is a surprisingly believable one. It has enough generic qualities for us to fill in the details, but it’s also unique enough that it doesn’t feel like we’ve seen it a thousand times. The Mega City has character and specifically the Block that the majority of the movie takes place in. You get a feeling for the relationships between the people, criminals and judges, even if the majority of it is delivered in extremely clumsy exposition. Hell, the monologue Dredd gives to tell us all about the city is so generic that the film decides to do it again at the end for funsies, but of course with even cheesier lines.
Speaking of funsies, this film knows that it’s not Apocalypse Now. It knows its tropes and while it doesn’t shove it’s knowledge of it in your face like You’re Next it does utilize humor to point out its more noticeable failings. The one-liners that Dredd gives are so cheesy they couldn’t have been written without intention. I’ve found lately that a lot of movies that know what they are and use a little “winkwinknudgenudge” over the course of the movie, usually end up being quite entertaining (ie. Sharknado) and maybe thats the key when it comes to doing adaptations of clearly generic material like Dredd is.
Rather unusually for a movie of this caliber, there are only three characters worth talking about in this movie. Ma-Ma, Dredd, and the psychic woman Anderson. Anderson is an odd duck, not really played for the naive, innocent rookie she could have been or the sensitive girl psychics usually are portrayed as. To the contrary, she’s quite brutal at times and even though her psychic powers clearly define her character, she still develops by the end of the movie. Ma-Ma is the generic villain, but her clumsily delivered back-story does give you a sense of meaning behind her actions and for that I applaud the actress for her mediocre, but still effective performance. Dredd is another story. He’s somewhere inbetween Batman and Punisher, but still has a unique enough of a flair to him that you can tell there’s a person behind that helmet and not a robot or Christian Bale. While he doesn’t develop per-say by the end of the movie, we do get to see a range of reactions from him that help us understand who he is. He’s a character I would love to see in another movie, even if he isn’t accompanied by Anderson.
Amongst the 3D craze taking Hollywood by storm, and to some extent driving it into the ground, it’s rather rare to find a movie actually made with 3D in mind and not just translated in post for extra cash. Dredd is one of these rarities, throwing all kinds of shit at the screen and utilizing slow motion for added effect. It’s a film in retrospect I think most would want to see in 3D, but maybe not for the price of 3D. The aforementioned effects are rather good. They’re not state of the art by any means, but they are utilized in a unique way and are ultimately effective, which is what counts. The visual style is also unique when it comes to the slow-mo drug or action sequences and this style really makes it feel comic-booky somehow, even if I’m not sure why.
If you’re looking for a fun evening with friends, then by all means check out Dredd. It’s a fun hour and a half with brutal violence and action scenes, but enough engaging story points and characters to keep you interested even when the guns aren’t firing. Dredd is an underrated gem in the rough and I think its cult following is only going to grow, even if a sequel is naught to be. Dredd is currently available on Netflix streaming and Amazon Instant, as well as Redbox and Blockbuster.
2 thoughts on “Dredd (2012) Review”
”not a robot or Christian Bale.” 🙂 haha!